
Short answer: request a Figment i3 Mac ($49/month) or an M-series Mac (from $95/month) for Adobe Audition multitrack work. The $29 virtual Intel macOS plan runs real macOS but has no audio hardware wired to the guest, so Core Audio has no output device to open. On the physical Mac, use Audition's File → Export → Session with Save copies of associated files, move the folder over, install BlackHole so Audition has an output device that screen share can capture, then verify every clip is linked before you start editing.
The $29 VM is a virtual Intel macOS environment on Linux/KVM, 2 vCPU, 8 GiB RAM and 80 GiB disk. It genuinely runs macOS and will open Audition, but there is no GPU acceleration and no host audio device passed to the guest. Audition can import a session on it, yet pressing play drives Core Audio nowhere, and screen-share clients cannot capture audio the OS never received.
The physical options fit Audition better:
Both physical plans collect requests until supply is confirmed. On the $29 VM, access is via the browser console today; inbound SSH is not available. Agree the access path and transfer method for the physical Mac inside your quote before you pay.
An Audition multitrack session (.sesx) is a short XML file that references audio clips by path. Copy only the .sesx and the rented Mac opens with every track reporting missing media.
Use Audition's own packaging path, documented in Adobe's help (Save and export audio files in Audition):
Audition writes a new .sesx plus a sibling folder with copies of every referenced clip. That folder — not the original project — is what you transfer.
Pre-transfer check:
.sesx.sesx.sesx aloneKeep your original project untouched. The export is a save-copy, not a migration — if the rented Mac is ever lost, your working session on your laptop is still intact.
Audition resolves clip paths relative to the .sesx location. Keep the export folder intact and the session opens cleanly on any Mac. Flatten it, rename the audio subfolder, or re-nest it, and Audition falls back to the "locate file" dialog clip by clip.
Use whichever transfer path your Figment quote confirms. Common choices are a browser upload into the rented Mac's session, a signed cloud link downloaded with Safari on the guest, or a mounted SMB share. On the rented Mac the layout should look like this:
~/Audition/ClientProject_Export/
├── ClientProject.sesx
└── Audio Files/
├── interview_01.wav
├── ambient_room.wav
└── music_bed.aif
Open ClientProject.sesx from File → Open inside Audition. If Audition prompts to locate media, the extraction path has drifted — restore the original folder structure next to the .sesx and reopen, rather than relinking one clip at a time.
Pick folder names without spaces or odd characters when you can; it keeps later shell commands (unzip, cp, upload scripts) from needing extra quoting on either Mac.
A rented Mac with no physical audio interface still needs an output device Core Audio can hand to Audition, and a signal path your screen-share viewer can capture. BlackHole is a virtual audio loopback driver for macOS that solves both.
Per the vendor page, BlackHole is built for Intel and Apple silicon, supports standard sample rates from 44.1 kHz through 192 kHz, ships in 2-channel, 16-channel and 64-channel variants, and is distributed under a pay-what-you-want model including Homebrew formulas (existential.audio/blackhole).
# On the rented Mac, in Terminal
brew install blackhole-2ch
Use blackhole-16ch instead if the session carries multichannel stems. If the new device does not appear in Sound settings after install, log out and back in — Core Audio picks up new drivers at login — rather than running undocumented commands against the audio daemon.
Then wire the device in:
BlackHole 2ch.CoreAudio.BlackHole 2ch.To hear playback on your laptop, turn on audio forwarding in your screen-share client. Apple Screen Sharing, Jump Desktop, Screens and similar tools each expose a capture-remote-audio toggle; audio capture is a viewer-side setting, nothing on the rented Mac can force it.
If you also want Audition to record the playback while you monitor it, create a Multi-Output Device in Audio MIDI Setup that combines BlackHole 2ch with any built-in output on the rented Mac, and point Audition's Default Output at the aggregate device. BlackHole exposes exactly the channel count of the variant you installed — it does not add physical outputs.
Remote playback over screen share is a working-reference signal, not a calibrated monitor. Use it for edit decisions, clip verification and client review; approve final loudness, phase and stereo imaging on real hardware before delivery.
Run this every session, before the first edit pass.
On your local Mac
.sesx.sesxOn the rented Mac, first login
BlackHole 2ch (or your installed variant)CoreAudio with BlackHole 2ch as Default OutputBefore you cut
| Session profile | Figment plan |
|---|---|
| 4–8 tracks, podcast or two-mic interview, 44.1/48 kHz, light plug-ins | i3 Mac — $49/month (request-based) |
| 20+ tracks, dense plug-in chain, 96 kHz, spectral repair, dialogue conform | M-series Mac — from $95/month (request-based, chip/RAM/disk confirmed in quote) |
| Weekly recurring deliverable with backups and monitoring | Managed Build Mac — $249/month (one M-series Mac, CI setup, backups, monitoring, 30 minutes monthly support) |
| Two editors collaborating with shared runners | Managed Mac Team — $999/month (two M-series Macs, two CI runners, team setup, backups, monitoring, one hour monthly support) |
Measure on your own session rather than trust a chip name. A 30-track dialogue session with iZotope RX and convolution reverb usually justifies the $46/month step from an i3 Mac to the M-series entry ($95 − $49 = $46). Still confirm the specific chip, RAM and disk in writing before you pay — the $95 entry is a starting price, not a fixed spec.
Ready to brief one of these configurations? Open a request at Figment Mac Hosting or go straight to get started.
Related reading